My fellow writers: HELP.
I feel like my brain is overloaded. ("It doesn't take much," you joke. Hardy har har.) In all seriousness, I feel very, very creative at the moment. I have tons of ideas and characters and inspirations to draw from. The problem is that they're like little kids pushing out the doors on the last day of school. They're crowding each other and shouting over each other and I'm finding it hard to let any particular idea out onto the page because they all seem equally intriguing and exciting.
There is, of course, the third installment in my Compass Rose Trilogy, Due South, (more on that later) and the YA novel I've literally been dreaming about for at least a year now. Both plots are outlined, characters solid, and everything's ready to roll. But then there are the new kids - a story loosely based on devil mythology, and one about a priest, both of which would not take place in the Magi's world but would be good brothers to it.
My ideas are neither here nor there, however. My problem is choosing between them.
...or do I have to?
I will admit, when I write, I write the book from start to finish and don't skip around. I've also never worked on more than one important work at once. I can write short stories or fanfiction while I'm writing a novel, but never two novels at once. I'm always way too involved in one world to do that and it seems preposterous! (That may be because I write fantasy primarily and therefore have to be very involved in that world.)
So, fellow writers, have you worked on two novels at once? Was it hard to balance them? Did you feel like you weren't giving both of them enough focus? Did you find that one eventually became the predominant work?
Answer me, because I'm considering doing this but I honestly can't wrap my head around it, the idea is so foreign to me.
And now, something that has nothing to do with the rest of this blog post: I just want to throw this out there. While I've been planning and researching for Due South, I've also gone back and re-read most of From East to West, and I hope I don't sound arrogant in saying this but... I really hope True North gets picked up someday so that From East to West can get published as well. As it's the second in the series, it can't really stand alone, but DAMN is it good. It is really good. Even though it hasn't been edited yet, it's already tighter and better written than anything I've produced before, and the plot and characters... so riveting. I'm sure I'm biased, but really there is so much in the book to love: romance, angst, betrayal, lust, greed, hope, philosophy...
I just love it, okay? And not that True North isn't a great book, because it is, but it's just a warm up to the rest of the series, as I KNOW Due South will be just as good, if not better, than From East to West. Therefore, True North needs to get published so everyone will know the awesomeness of From East to West and Due South.
And that's that.
Wednesday, July 29, 2009
Monday, July 6, 2009
Spin, Little Spider, Spin
"You understand-- that the need to set down words-- this need is like the Spider's need who carries before her a huge Burden of Silk which she must spin out-- the silk is her life, her home, her safety-- her food and drink too-- and if it is attacked or pulled down, why, what can she do but make more, spin afresh, design anew-- she Must-- or die of Surfeit-- do you understand me?"
-A.S. Byatt, Possession
-A.S. Byatt, Possession
Monday, June 8, 2009
Learning From the Masters
LeakyCon was made of awesome.
For those of you who don't know, I work for a little Harry Potter website called The Leaky Cauldron. It's not really a 'little' site at all, actually. More like huge. And we're pretty much the definitive source for all things Harry. Specifically, I am an editor for Scribbulus, which is a site for essays and opinion pieces about the Harry Potter books. The website hosted its first ever convention a few weekends ago in Boston, and it was a raging success.
Not only was it great on a personal level because I got to see friends I hadn't seen in a while (or meet them face to face, finally, like my editor Nina), but I got to rub elbows with the likes of John and Hank Green, Lev Grossman, and Cheryl Klein.
Professionalism aside, there's nothing quite like hopping up and down on a dance floor with Hank Green and the entire Leaky staff, shouting "Don't Stop Believin'" at the top of our lungs, but I digress...
I went to a ton of lectures and presentations about writing. Lev Grossman's wit and intelligence basically left me a puddle of fangirl goo, and hearing about his process of writing The Magicians was wonderful. I think that a person's process can tell you a lot about their personality and how they think. By that measure, you could say that writing is exploration and thinking for me, and I felt Mr. Grossman was much the same. He likes pushing the envelope and challenging the world and the characters he creates, though, and I think my approach is a little opposite that. My characters begin challenged, and it's my job to help dig them out of the mess they've gotten themselves into (and perhaps in the process, they learn how to handle their world better).
I basically accosted Lev in the hotel lobby later that day. He signed a copy of his book, Codex, for me and we had a nice conversation about wizard rock before I felt myself go into fangirl mode and I made excuses and left before I embarrassed myself by squeeing all over him.
One of the most interesting and helpful keynotes I attended was a discussion between John Green and Cheryl Klein. (For the record, I am very envious of Cheryl Klein. Very.) They talked mainly about the process of editing and revision, and what it's like on both sides of the fence. It is very reassuring to hear an award-winning author say that his books started out nothing like they were published and that he still looks at his work and wishes he could change things. Sometimes I feel like I'll never be satisfied with True North, even though the changes Nina and I have made make it smooth like butter. I think we always just want to do better, as writers, we're always pushing ourselves. And I think that because artists create, that is what they do, we can't let things sit still. We want to keep creating, keep changing, keep it fresh.
Anyways... another thing they talked about was how essential it is for a writer to relinquish control to their editor, and to trust that editor deeply. I admit that I was worried about how I would handle the editing process, but I found that it was actually very easy for me. Not only did I trust Nina (she knew and loved my novel, plus she knew ME, which is very important. She knew what I was trying to say even when I didn't say it correctly.), but I honestly came to a point with my book where I knew that I was no longer the best thing for it. Another opinion was needed; a fresh eye was required. So I let Nina take the reins and it felt GOOD to watch my baby grow and fly.
Cheryl mentioned that there are a few authors who refuse to work with editors now, and so their work is basically published untouched. Stephenie Meyer is notoriously difficult, and I guess Anne Rice has now refused to let an editor touch her work.
Let me just pause to say that Anne Rice is by far the most influential author in my life. I started reading her stuff when I was only twelve, and her Vampire Chronicles and Cry to Heaven have shaped my writing in ways I probably couldn't even begin to explain. But here's my opinion: There are two people for whom a book is written. The writer and the reader. When I write, I'm exploring my beliefs and questioning the world around me. What comes out is a byproduct of that exploration. The second step is the reader, and the editor is essential in connecting the writer to the reader. I can lose myself in the process of writing. I can go off on tangents, lose a grasp of a character arc, leave a plot hole, etc. It's these mistakes that can lose a reader, and I think the editor is vital in making sure that doesn't happen. I think choosing not to edit shows a blatant disregard for that important second person in this process, I think you risk losing your message in your own pile of BS, and I think it's more than a touch egocentric.
There. I've said it.
Now that that's off my chest, I talked to Nina after this keynote and asked how I was to work with. Apparently, I wasn't too difficult. Ha. There were things I fought her on, things I believed in but had to be explained differently, things that she just didn't plain agree with, but she said overall I was more than willing to work through it. At one point, she suggested cutting a whole chapter. She was actually worried about telling me this for a few days and when she finally did I just shrugged and said, "Okay."
This is good. Editing needs to be a process of giving up the ego and letting your work achieve its full potential, which sometimes means it has to get there in spite of you. So, not to toot my own horn, but if I'm easy to work with now, I think it bodes well for me as a professional author.
Alright, I've rambled far too much and I didn't even get to the self-publishing stuff I wanted to talk about so... Soon I'll discuss self-publishing. What I think of the concept, if I would ever do it, and what it would mean if I did.
Oh, and being that it's summer, Kate and I are going to get A Writer's Notebook, our podcast, up and running. Be looking for that, too.
Until next time!
For those of you who don't know, I work for a little Harry Potter website called The Leaky Cauldron. It's not really a 'little' site at all, actually. More like huge. And we're pretty much the definitive source for all things Harry. Specifically, I am an editor for Scribbulus, which is a site for essays and opinion pieces about the Harry Potter books. The website hosted its first ever convention a few weekends ago in Boston, and it was a raging success.
Not only was it great on a personal level because I got to see friends I hadn't seen in a while (or meet them face to face, finally, like my editor Nina), but I got to rub elbows with the likes of John and Hank Green, Lev Grossman, and Cheryl Klein.
Professionalism aside, there's nothing quite like hopping up and down on a dance floor with Hank Green and the entire Leaky staff, shouting "Don't Stop Believin'" at the top of our lungs, but I digress...
I went to a ton of lectures and presentations about writing. Lev Grossman's wit and intelligence basically left me a puddle of fangirl goo, and hearing about his process of writing The Magicians was wonderful. I think that a person's process can tell you a lot about their personality and how they think. By that measure, you could say that writing is exploration and thinking for me, and I felt Mr. Grossman was much the same. He likes pushing the envelope and challenging the world and the characters he creates, though, and I think my approach is a little opposite that. My characters begin challenged, and it's my job to help dig them out of the mess they've gotten themselves into (and perhaps in the process, they learn how to handle their world better).
I basically accosted Lev in the hotel lobby later that day. He signed a copy of his book, Codex, for me and we had a nice conversation about wizard rock before I felt myself go into fangirl mode and I made excuses and left before I embarrassed myself by squeeing all over him.
One of the most interesting and helpful keynotes I attended was a discussion between John Green and Cheryl Klein. (For the record, I am very envious of Cheryl Klein. Very.) They talked mainly about the process of editing and revision, and what it's like on both sides of the fence. It is very reassuring to hear an award-winning author say that his books started out nothing like they were published and that he still looks at his work and wishes he could change things. Sometimes I feel like I'll never be satisfied with True North, even though the changes Nina and I have made make it smooth like butter. I think we always just want to do better, as writers, we're always pushing ourselves. And I think that because artists create, that is what they do, we can't let things sit still. We want to keep creating, keep changing, keep it fresh.
Anyways... another thing they talked about was how essential it is for a writer to relinquish control to their editor, and to trust that editor deeply. I admit that I was worried about how I would handle the editing process, but I found that it was actually very easy for me. Not only did I trust Nina (she knew and loved my novel, plus she knew ME, which is very important. She knew what I was trying to say even when I didn't say it correctly.), but I honestly came to a point with my book where I knew that I was no longer the best thing for it. Another opinion was needed; a fresh eye was required. So I let Nina take the reins and it felt GOOD to watch my baby grow and fly.
Cheryl mentioned that there are a few authors who refuse to work with editors now, and so their work is basically published untouched. Stephenie Meyer is notoriously difficult, and I guess Anne Rice has now refused to let an editor touch her work.
Let me just pause to say that Anne Rice is by far the most influential author in my life. I started reading her stuff when I was only twelve, and her Vampire Chronicles and Cry to Heaven have shaped my writing in ways I probably couldn't even begin to explain. But here's my opinion: There are two people for whom a book is written. The writer and the reader. When I write, I'm exploring my beliefs and questioning the world around me. What comes out is a byproduct of that exploration. The second step is the reader, and the editor is essential in connecting the writer to the reader. I can lose myself in the process of writing. I can go off on tangents, lose a grasp of a character arc, leave a plot hole, etc. It's these mistakes that can lose a reader, and I think the editor is vital in making sure that doesn't happen. I think choosing not to edit shows a blatant disregard for that important second person in this process, I think you risk losing your message in your own pile of BS, and I think it's more than a touch egocentric.
There. I've said it.
Now that that's off my chest, I talked to Nina after this keynote and asked how I was to work with. Apparently, I wasn't too difficult. Ha. There were things I fought her on, things I believed in but had to be explained differently, things that she just didn't plain agree with, but she said overall I was more than willing to work through it. At one point, she suggested cutting a whole chapter. She was actually worried about telling me this for a few days and when she finally did I just shrugged and said, "Okay."
This is good. Editing needs to be a process of giving up the ego and letting your work achieve its full potential, which sometimes means it has to get there in spite of you. So, not to toot my own horn, but if I'm easy to work with now, I think it bodes well for me as a professional author.
Alright, I've rambled far too much and I didn't even get to the self-publishing stuff I wanted to talk about so... Soon I'll discuss self-publishing. What I think of the concept, if I would ever do it, and what it would mean if I did.
Oh, and being that it's summer, Kate and I are going to get A Writer's Notebook, our podcast, up and running. Be looking for that, too.
Until next time!
Monday, May 11, 2009
She Lives!
I am alive. The junior high play is over, and once again it failed to kill me. Now that that's done, I will have more time for, well, everything.
Just a few random things in no particular order.
1. As I mentioned, the play is over. The kids were AMAZING. Good lord these kids could sing. And act. And I'm a teensy bit emotional about losing some of them to the high school next year. And have I mentioned that I have the best students in the world?? (Expect an entry about the play later).
2. Strange Fascination is up to 60 pages, people. Honestly. This was supposed to be a short story! Brevity, I know you not.
3. I leave for LeakyCon in a little over a week. OMG LEAKYCON. Harry Potter nonsense, seeing good friends from Scribby and Leaky in general (and Sarah! OMG SARAH!), Boston, and rubbing elbows with authors. What, I ask, is not to love???
4. I auditioned for a musical called Urinetown. No joke. I feel the need to pee constantly.
5. I am gardening, and I love it.
6. Nineteen days of school left, though, counting LeakyCon and the fact that I take the last week to do inventory, it's really more like 12 days. This rocks completely.
7. Only three left on American Idol. Just so we're clear, I want Adam Lambert to win.
That is all for now, my pretties.
Just a few random things in no particular order.
1. As I mentioned, the play is over. The kids were AMAZING. Good lord these kids could sing. And act. And I'm a teensy bit emotional about losing some of them to the high school next year. And have I mentioned that I have the best students in the world?? (Expect an entry about the play later).
2. Strange Fascination is up to 60 pages, people. Honestly. This was supposed to be a short story! Brevity, I know you not.
3. I leave for LeakyCon in a little over a week. OMG LEAKYCON. Harry Potter nonsense, seeing good friends from Scribby and Leaky in general (and Sarah! OMG SARAH!), Boston, and rubbing elbows with authors. What, I ask, is not to love???
4. I auditioned for a musical called Urinetown. No joke. I feel the need to pee constantly.
5. I am gardening, and I love it.
6. Nineteen days of school left, though, counting LeakyCon and the fact that I take the last week to do inventory, it's really more like 12 days. This rocks completely.
7. Only three left on American Idol. Just so we're clear, I want Adam Lambert to win.
That is all for now, my pretties.
Tuesday, March 24, 2009
The Beauty of This Vision Alone I Can't Shake
Isn't it utterly amazing how inspiration comes and goes? How your muse is silent and unresponsive for weeks, and then suddenly she can't love you enough? How the silence in your mind is suddenly overtaken by a whole chorus of voices, clamoring for a scrap of your attention...for your words?
This is why I LOVE writing. The unpredictability, the ups and downs, the sudden rush of creativity and the high that accompanies it.
If you haven't noticed, I'm on one of those highs.
Although most of the time the high can't be traced back to any certain event, this time I think I know the reason. Or reasons, as the case may be. Last week my good friend and fellow writer, Kate, sat down with me and we talked through the entire plot of Due South. I am definitely one of those people who needs to think aloud. Even if the other person never says anything back to me, saying it out loud helps me to organize my thoughts and get them all out in the open for scrutiny. Luckily for me, Kate doesn't just let me talk (although she's awesome enough to know when I need to do that as well). She challenges me, questions me, and makes sure I've got everything covered. It's less like I'm telling her about my book and more like I'm examining it, defending it, and building it.
Secondly (and I admit, this is one of my favorite things), reading good writing makes me want to jump in and write too. It is also like a challenge to me. Am I sensing a theme here? Lately I've been reading a YA novel by Jennifer Donnelly called A Northern Light and the writing is just lovely. Rich, true, and excellently voiced. Donnelly seems to capture in a few words what lesser writers take paragraphs to say. Also, just last night I read a wonderful fic on LiveJournal, of all things. (This is where my brain nearly explodes trying to figure out why it seems like these kind of people never get published, even though there's crap in book form being printed left and right, but I'm going to shut up about that now. That's for another post.) I would link all of you to it, but I feel as though I need permission from the author, and I've friend requested her. I will definitely pass it along if she lets me. It was remarkable how quickly I was drawn in to the story and how quickly I cared about the main character, and her style was just perfection.
Last, but certainly the most important: I gave myself permission NOT to write Due South for a while. Here's the thing... Eli is stubborn and obstinate. He cannot be forced or rushed, or even gently coerced to speak. If I try, he turns his back on me and retreats inside himself. I honestly get this vision of him sulking in the woods behind Rowan House, throwing rocks at nothing in particular when this happens, and all I can do is let him cool off and keep out of his way. The whole book, I know now, will be written on his terms. So until he's ready to talk freely, I'm fine with waiting.
I've been writing fun little drabbles with characters who are much easier to work with, putting no pressure on myself whatsoever. And that is exactly what I need. No pressure. Without the self-inflicted nagging, the writing pours out. The best part of it is that, after writing these drabbles, I find myself missing the world I've created. I miss Cain and Vincent, Josiah and Veronica. Hell, I even miss Eli, and the cheeky little bastard seems quite jealous that I've been spending time with other characters.
So... the short of it is that I feel ready again. I want to get back to the Magi's world, and finish this trilogy in the manner it deserves.
Until next time, darlings.
This is why I LOVE writing. The unpredictability, the ups and downs, the sudden rush of creativity and the high that accompanies it.
If you haven't noticed, I'm on one of those highs.
Although most of the time the high can't be traced back to any certain event, this time I think I know the reason. Or reasons, as the case may be. Last week my good friend and fellow writer, Kate, sat down with me and we talked through the entire plot of Due South. I am definitely one of those people who needs to think aloud. Even if the other person never says anything back to me, saying it out loud helps me to organize my thoughts and get them all out in the open for scrutiny. Luckily for me, Kate doesn't just let me talk (although she's awesome enough to know when I need to do that as well). She challenges me, questions me, and makes sure I've got everything covered. It's less like I'm telling her about my book and more like I'm examining it, defending it, and building it.
Secondly (and I admit, this is one of my favorite things), reading good writing makes me want to jump in and write too. It is also like a challenge to me. Am I sensing a theme here? Lately I've been reading a YA novel by Jennifer Donnelly called A Northern Light and the writing is just lovely. Rich, true, and excellently voiced. Donnelly seems to capture in a few words what lesser writers take paragraphs to say. Also, just last night I read a wonderful fic on LiveJournal, of all things. (This is where my brain nearly explodes trying to figure out why it seems like these kind of people never get published, even though there's crap in book form being printed left and right, but I'm going to shut up about that now. That's for another post.) I would link all of you to it, but I feel as though I need permission from the author, and I've friend requested her. I will definitely pass it along if she lets me. It was remarkable how quickly I was drawn in to the story and how quickly I cared about the main character, and her style was just perfection.
Last, but certainly the most important: I gave myself permission NOT to write Due South for a while. Here's the thing... Eli is stubborn and obstinate. He cannot be forced or rushed, or even gently coerced to speak. If I try, he turns his back on me and retreats inside himself. I honestly get this vision of him sulking in the woods behind Rowan House, throwing rocks at nothing in particular when this happens, and all I can do is let him cool off and keep out of his way. The whole book, I know now, will be written on his terms. So until he's ready to talk freely, I'm fine with waiting.
I've been writing fun little drabbles with characters who are much easier to work with, putting no pressure on myself whatsoever. And that is exactly what I need. No pressure. Without the self-inflicted nagging, the writing pours out. The best part of it is that, after writing these drabbles, I find myself missing the world I've created. I miss Cain and Vincent, Josiah and Veronica. Hell, I even miss Eli, and the cheeky little bastard seems quite jealous that I've been spending time with other characters.
So... the short of it is that I feel ready again. I want to get back to the Magi's world, and finish this trilogy in the manner it deserves.
Until next time, darlings.
Sunday, March 8, 2009
Welcome to the Manor!
So much for that "I'll post more often, I swear!" promise, huh?
Well, as you can see, my blog has found a new home. There are a lot of reasons for this change, but the main one is that I didn't feel like WordPress and I could reconcile our differences. It just wouldn't let me be, well, me. I needed a place a bit more casual and a bit easier to work with, which Blogger is. It's still under construction but bear with me as I adjust to my new surroundings. Come on in and enjoy some tea. A Westhaven would never let you stand outside in the cold.
The other day, as we were driving to see Slumdog Millionaire, (excellent movie) Mel and I had a conversation about how much we'd like to see a website that could combine Twitter, Facebook, LiveJournal, and Blogger. It would be an internet utopian society. You could blog, join communities, instantly connect with friends, etc. Why hasn't this happened yet, world? WHY?
Regardless, the Manor is one less step for me now. My other two blogs (which I haven't started work on yet) are here too, and I can at least link it to Faceboook. My LJ is still separate, and that's okay for now. Although I plan on being a little more loose over here than I was previously, my LJ is where I let it all hang out in a slightly unprofessional manner (i.e., it's where I rant and rave), and I don't want that to get mixed up with all my authorial duties.
So, updates:
First and foremost, I have finished edits on TRUE NORTH. *everyone cheers* Secondly, I've outlined DUE SOUTH and I've found that, indeed, my characters know exactly what they're doing, so all I have to do is trust them and get typing. Lastly, my YA novel idea keeps doing laps in my brain, so the short story I wrote to let it stretch its legs turned out to be a very good exercise. Look for it soon. I'm going to post it here for fun, and I think I'll turn it in to a few contests as well.
A few of my favorite agents are taking part in a Twitter feed (a Tweet? A Twit? I'm so lost on the terminology) called QueryFail, Tweeting in query mistakes. Hilarious and informative. Look it up, people.
As for that non-writing part of my life, everything's good. The junior high musical is shaping up, I'm enjoying school immensely this year, I'm busy reading WATCHMEN by Alan Moore and THE ABUNDANCE OF KATHERINES by John Green, (yay! John is coming to LeakyCon in May!), and I dove head first into this season of American Idol.
Vote for Adam Lambert!
*ahem*
Sorry about that. Told ya I was going to be a bit more casual here...
Well, as you can see, my blog has found a new home. There are a lot of reasons for this change, but the main one is that I didn't feel like WordPress and I could reconcile our differences. It just wouldn't let me be, well, me. I needed a place a bit more casual and a bit easier to work with, which Blogger is. It's still under construction but bear with me as I adjust to my new surroundings. Come on in and enjoy some tea. A Westhaven would never let you stand outside in the cold.
The other day, as we were driving to see Slumdog Millionaire, (excellent movie) Mel and I had a conversation about how much we'd like to see a website that could combine Twitter, Facebook, LiveJournal, and Blogger. It would be an internet utopian society. You could blog, join communities, instantly connect with friends, etc. Why hasn't this happened yet, world? WHY?
Regardless, the Manor is one less step for me now. My other two blogs (which I haven't started work on yet) are here too, and I can at least link it to Faceboook. My LJ is still separate, and that's okay for now. Although I plan on being a little more loose over here than I was previously, my LJ is where I let it all hang out in a slightly unprofessional manner (i.e., it's where I rant and rave), and I don't want that to get mixed up with all my authorial duties.
So, updates:
First and foremost, I have finished edits on TRUE NORTH. *everyone cheers* Secondly, I've outlined DUE SOUTH and I've found that, indeed, my characters know exactly what they're doing, so all I have to do is trust them and get typing. Lastly, my YA novel idea keeps doing laps in my brain, so the short story I wrote to let it stretch its legs turned out to be a very good exercise. Look for it soon. I'm going to post it here for fun, and I think I'll turn it in to a few contests as well.
A few of my favorite agents are taking part in a Twitter feed (a Tweet? A Twit? I'm so lost on the terminology) called QueryFail, Tweeting in query mistakes. Hilarious and informative. Look it up, people.
As for that non-writing part of my life, everything's good. The junior high musical is shaping up, I'm enjoying school immensely this year, I'm busy reading WATCHMEN by Alan Moore and THE ABUNDANCE OF KATHERINES by John Green, (yay! John is coming to LeakyCon in May!), and I dove head first into this season of American Idol.
Vote for Adam Lambert!
*ahem*
Sorry about that. Told ya I was going to be a bit more casual here...
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